Stanislaw Przybyszewski
Casein and distemper on canvas
1894
Inventory number: MM.M.00618
Catalogue raisonné: Woll M 354
Details
| Comment |
The portrait is executed on a very thin canvas that was probably primed by Munch himself. The medium is water soluble, most likely casein. The painting must have sustained heavy damage at an early stage as Strindberg in 1896 misinterpreted the water stain
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| Title | Stanislaw Przybyszewski (NO) Stanislaw Przybyszewski (EN) Stanislaw Przybyszewski (DE) |
| Painter | Edvard Munch, Norwegian |
| Date | 1894 |
| Portrayed | Stanislaw Przybyszewski, Polish |
| Classification | Paintings |
| Material/technique | Casein and distemper on canvas |
| Dimensions | Image: 75.5 × 60.5 cm Technical dimensions: 75.7 × 60.3 cm Framed: 88.9 × 73.7 × 9 cm |
| Signed | Usignert |
| Owner/Collection | Munchmuseet |
| Inventory number | MM.M.00618 |
| Bibliography |
Stein, Mille, "Edvard Munch og ‘hestekuren’. En revurdering", Kunst og Kultur, årg. 100, nr. 1–2, 2017, s. 49, 55f, 58, 60, 63
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Ravenal, John B., Jasper Johns og Edvard Munch. Inspirasjon og forvandling. (English edition: Jasper Johns and Edvard Munch. Inspiration and Transformation), utst.kat. MM og Virginia Museum of Fine Arts, Richmond, Oslo 2016, s. 70 Nielsen, Trine Otte Bak (ed.), Vigeland + Munch. Behind the Myths, utst.kat. MM, 2015, kat.nr. 46 Stein, Mille, "Edvard Munch's paintings with water stains: Analysis of the Ekely Collection at the Munch Museum", Zeitschrift für Kunsttechnologie und Konservierung, 25. Jahrg., Heft 2, 2012, s. 273–284 Schneede, Uwe M., "Der Klassiker und die Wilden. Munch in Deutschland", Im Farbenrausch. Munch, Matisse und die Expressionisten, utst.kat. Museum Folkwang, Essen 2012, s. 68 Hansen, Dorothee, Nierhoff-Wielk, Barbara og Groth, Katharina, "Katalog. Die ausgestellten Werke", Edvard Munch – Rätsel hinter der Leinwand, utst.kat. Kunsthalle Bremen, Bremen 2011, s. 102 Buchhart, Dieter, "Edvard Munch – du ‘traitement de cheval’, de la photographie et du film muet en tant qu'expression de la peinture moderne du XXème siècle", Edvard Munch ou l'"Anti-Cri", utst.kat. Pinacothèque de Paris, Paris 2010, upaginertGuleng, Mai Britt (red.), eMunch.no – tekst og bilde (English edition: eMunch.no – Text and Image), utst.kat. MM, Oslo 2011, kat.nr. 16 Gluchowska, Lidia, "Totenmesse, Lebensfries und die Hölle: Przybyszewski, Munch, Vigeland und die protoexpressionistische Kunsttheorie", i Deshima. Revue d'Histoire Globale des pays du Nord, 1, 2009, s. 85 Buchhart, Dieter, Das verschwinden im Werk Edvard Munchs. Experimente mit materialisierung und dematerialisierung, upubl. avhandling (Doktorgrad der Philosophie), Wien 2004, s. 63 Buchhart, Dieter, "Das Verschwinden – Experimente mit Material und Motiv", Edvard Munch. Thema und Variation / "Disappearance – Experiments with material and motif", Edvard Munch. Theme and variation, utst.kat., Wien 2003, s. 24 Müller-Westermann, Iris, Edvard Munch. Die Selbstbildnisse, Hamburg 1997, avhandling (Doktor der Philosophie), s. 41 Thurmann-Moe, Jan, Edvard Munchs "hestekur". Eksperimenter med teknikk og materialer, utst.kat., Oslo 1995, s. 25 Berman, Patricia G., "Edvard Munch's Self-Portrait with Cigarette. Smoking and the bohemian persona", Art Bulletin, vol. LXXV, nr. 4, 1993, s. 644 Langaard, Ingrid Lindbäck, Edvard Munch. Modningsår, Oslo 1960, s. 238 Strindberg 1914, s. 76; |
See also
